Paasitorni’s floor 3.5 has two nearly identical rooms. They are dedicated to the people we can thank for Paasitorni being the establishment it is today.

Anita Ritakallio served as Paasitorni’s congress manager on two occasions, from 1987 to 1990, and from 1995 to 2016. Ritakallio was a determined reformer with a strong vision of restoring Paasitorni to its splendour after several decades of reduced activity.

Ritakallio’s uncompromising nature is evident in how she resigned from her position when she felt the progress towards her vision was too slow. Fortunately, she returned to Paasitorni after five years.

Esko Häsä, on the other hand, served as Paasitorni’s managing director from 1993 to 2001. He was responsible for ensuring that the significant development and reform projects of the building and its services would be completed.

Since the mid-1990s, Paasitorni has undergone a nearly total transformation from the slightly worn-down Workers’ House to a modern and versatile conference and event venue.

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Pictured: Anita Ritakallio (Helsinki Workers’ Association)

Paasitorni’s 3.5 floor has two nearly identical rooms: Anita and Esko. They are dedicated to the people we can thank for Paasitorni being the establishment it is today.

Esko Häsä was Paasitorni’s managing director from 1993 to 2001, and under his leadership the extensive renovation and modernisation of the building’s facilities and services began.

Häsä’s vision was to develop Paasitorni while honouring the work of architect Karl Lindahl. It would become one of the building’s key selling points and also resulted in new award-winning high-quality architecture for Siltasaari.

Since the mid-1990s, Paasitorni has undergone a real transformation from the Workers’ House that had seen better days with its traditional restaurant and property services to a modern and architecturally rich meeting and event venue.

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Pictured: Esko Häsä (Helsinki Workers’ Association)

When you look around in this room, you can see three works of art signed by Juho Rissanen.

Rissanen was a significant force in the golden age of Finnish art who lived an exceptionally eventful life. He was born in Kuopio in 1873 to a poor family, became an apprentice at a painter’s shop at the age of 15, and then a student of the Artists’ Association of Finland’s art school in 1896, receiving an education in the arts by people such as Helene Schjerfbeck.

Rissanen, who knew no other languages, then moved to Saint Petersburg to join the Saint Petersburg Academy of Arts under the tutelage of Ilya Repin. In 1918, he moved to Denmark, then to France, and finally in 1939 to Miami in the United States.

Rissanen thought of himself as a citizen of the world, and never had a particular home. The greatest trauma of his life came from his drunken father freezing to death when Rissanen was ten years old.

Juho Rissanen donated the paintings “Rakentajia” (“Builders”) and “Lastin purkaminen” (“Unloading cargo”) to the Helsinki Workers’ Association in 1915. The charcoal drawing titled “Tappelu” (“Fight”) was donated by Counsellor of Social Welfare Aira Heinänen in 2017.

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Pictured: Juho Rissanen (Finnish Heritage Agency)

The Swedish-born architect Karl Lindahl never learned to speak Finnish, but he completed a commendable career here as an architect. One of his most renowned works is this building: Paasitorni.

A design contest for Paasitorni was organised in 1905, and Lindahl won. The construction was completed to much celebration in the autumn of 1908 – five days of celebration, in fact.

Later, in the 1920s, Lindahl also designed the extension to Paasitorni.

In the early parts of Lindahl’s career, the prevailing architectural ideal was the ornamental Jugendstil, which gradually gave way to the more simplistic Nordic classicism.

Paasitorni is a splendid encapsulation of this transition: the oldest part of the building is a pure exemplar of Jugendstil, while the section constructed in the 1920s represents classicism.

The beautiful renovated interior of this meeting space was designed to pay homage to Lindahl’s architectural values and life’s work.

The meeting space’s massive 13-metre-long fresco was painted by Hungarian artist Janos Rozs in return for food while he was in Finland as a refugee in 1939.

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Pictured: Karl Lindahl (Finnish Heritage Agency)

When you come to Paasitorni, you arrive at the address Paasivuorenkatu 5A.

And as you may notice, the street is also named after the same man this room and the entire building is named after.

Matti Paasivuori came to Helsinki in 1887. The young carpenter grew up to be a significant force in the trade union movement and the Social Democratic Party of Finland. He came to be known as a patient man committed to doing everything according to the law.

Paasivuori also served on the board of the Helsinki Workers’ Association, and he was a strong advocate for the construction of Paasitorni at the start of the 1900s.

When the Finnish Parliament resumed its work after a long recess caused by the civil war, only one man was welcomed back from the Social Democrats’ parliamentary group – Matti Paasivuori, who had absolutely refused all violence during the civil war.

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Pictured: Matti Paasivuori in the 1910s (Finnish Heritage Agency)

Everyone who has spent time in the Kallio area of Helsinki in the last eight decades has at one point or another come across Tarja Halonen, Finland’s first female president.

Tarja Halonen has lived in Kallio her whole life – and continues to do so.

It is often nearly impossible for foreign visitors to understand how a president can move so freely among the rest of the people. But to all residents of Kallio, Tarja Halonen is a very common sight.

Halonen has many connections with Paasitorni, but the most recent of them is that after her presidential terms (2000–2012), she has had her office right next door to Paasitorni.

Halonen’s best memories of Paasitorni are probably related to the two occasions on which she arrived here on election night to celebrate herself being elected as President of the Republic of Finland.

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Pictured: Tarja Halonen (Helsinki Workers’ Association)

Few people know that one of the founding members of the Helsinki Workers’ Association, which owns Paasitorni and was established in 1884, was a man who was a noble, a member of the Diet of Finland and an entrepreneur. More people may remember, however, that the early Finnish workers’ movement was called the Wright Workers’ Movement.

This refers to Viktor Julius von Wright, a furniture manufacturer who wanted to improve the conditions of the working class as well as potentially prevent the radicalisation of the working class.

Von Wright had many talents, being one of the forefathers of Finnish design and serving as the chair of the board for the Helsingin käsityö- ja teollisuusyhdistys association for crafts entrepreneurs.

Von Wright had an appreciation of high-quality design, and he would certainly be pleased with the stylish renovated interior of the meeting space bearing his name.

PS. You may also have guessed that Viktor Julius is related to the famous painters Ferdinand, Magnus and Wilhelm von Wright, known for their paintings of birds. They were Viktor Julius’s uncles.

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Pictured: Viktor Julius von Wright (Finnish Heritage Agency)

Throughout its history, Paasitorni has served as a venue for many kinds of events. It has been a meeting place where people gather to have fun, engage in hobbies and enjoy all kinds of performances.

They have come here to see movies, organise theatre performances, sing in choirs, engage in boxing matches, enjoy soirées, dance, celebrate and hold conferences.

Tickets to all the building’s events were originally sold at the ticket booth in the building’s upper lobby.

Very early on, Paasitorni became known by the nickname “Bygga” among locals, and when the disco boom reached Paasitorni by the late 1970s, the name was introduced to another generation.

The Juttutupa restaurant on the first floor has also served as a renowned meeting place and event venue.

And Paasitorni remains lively to this day – important events in the 2020s have included the annual Pääsiäispunk festival, Rockabilly Xmas, and the Byggan Retrodisco events organised in the styles of the 1970s and 1980s.

Pictured: Disco in the Congress Hall in the 1980s (The Labour Archives)

Originally, Paasitorni was supposed to look completely different. However, the people of the Helsinki Workers’ Association behind the project realised that the granite that needed to be quarried from the site could be used to create a grand stone facade for the building. And so, Paasitorni’s design was changed to its current granite palace form.

Construction of the original section of Paasitorni was completed in 1908. However, the site yielded so much granite that there was enough of it for the extension built in 1925, as well as the embankment for the entire Siltasaari area.

In 2024, some of the stone in Paasitorni’s facade was taken down, cleaned and reattached. At the same time, renovations were carried out on the fittings of the stone slabs, as well as the structures under them. This fully restored the facade to its original appearance.

The stone quarried from the site of the building over a hundred years ago can now decorate Paasitorni’s exterior for at least a hundred years more.

Pictured: This building’s construction site (The Labour Archives)

Paasitorni’s Congress Hall has hosted a great number of famous artists, bands and orchestras. But one of the most legendary performances here took place outside the hall.

The greatest Finnish rock band of all time, Hurriganes, was just getting started on their career. The band’s frontman, Remu Aaltonen, thought he had booked the band’s first gig in Paasitorni on New Year’s Eve in 1971.

When the band arrived, they found out that another band (Jussi & the Boys) was already playing in the Congress Hall, and that Remu and his band had no venue.

Remu lost his temper and ordered the band’s equipment to be set up on the staircase leading up to the Congress Hall.

And so, Hurriganes played their first gig on a staircase in Paasitorni.

Pictured: Hurriganes (The Labour Archives)